DJ's – light in Darkness 2026
Dimitri Tsambrounis from Munich, Germany
New Year's Day milonga, Thursday 1.1.

Tango is about connection. That's what I try as a DJ. To connect to the dancers and feel a part of the audience. Tanda rules are ONLY to serve this connection.
My favourites are far beyond epoca d'oro, which makes the main part of my playing though. I adore guardia vieja, as late Troilos or – rarely – some modern orchestras playing classic tango sound. In special mood I throw in a tanda with songs from other parts of the space time.
Jaana Hänninen from Tampere, Finland
Evening milonga, Friday 2.1.

Playing music in milongas started when establishing my local tango community 2005. I mainly DJ in milongas around Finland, but also internationally. I play traditional music from late 20-ies to mid 50-ies and I play in classical tandas with cortinas, trying also to give special attention to the cortinas.
I see the milonga as an event where people come together to dance, but also to socialize. I try to build my set to be rewarding for the dancers and to grow more intensive towards the end of the milonga. I think that the DJ is there for the dancers, and I enjoy DJ’ing most when I feel that the communication with the dancers works and the atmosphere is good.
Ulla Kastrup from Stockholm, Sweden
Brunch milonga, Saturday 3.1.

I love music that inspires dancing. Music, with energy, that evokes emotions. Constantly in search of new discoveries in the world of tango music that encourage the mood of the pista. The focus is on the 40s, but happy with the excesses of previous and recent decades. I have been playing for different arrangers since 2014.
Jessica Carleson from Stockholm, Sweden
Evening milonga, Saturday 3.1.

I approach every gig as a new aquaintence. You start by small talk, crack a few silly jokes, then gradually share stories of adventure, excitement, drama, passion, heartbreak, regrets... all those feelings you can experience in tango!
I love traditional tango, stay mostly in the 40's, but venture back into the early 30's for those glorious guardia vieja tunes, and occasionally to the 50's and 60's for d'Arienzo and Pugliese.
I've been a DJ since 2015, I DJ in Stockholm and in Europe, at milongas, encuentros and marathons. In Stockholm I co-organise a double role milonga and queer and double role marathon Alma de Bohemia.
Bart Wijgergangs (Sonrisa) from Eindhoven, the Netherlands
Brunch milonga, Sunday 4.1.

Ever since I started dancing tango in 1991 I am addicted to tangomusic. Even more so since I seriously began DJ-ing around 2006. I am one of the resident DJ’s in Scala (Eindhoven) and play at different milongas, marathons and encuentros, mostly but not only in The Netherlands, Belgium and Germany.
I always choose my music from a dancers perspective. Play music to serve the crowd, keep them inspired and in a dancing mode. The choice of music depends on the mood of the event and the dancers. The rich treasure of tangomusic offers plenty of opportunity to vary from rhythmic to more lyrical and romantic. I like to play with the cortinas as a reset or connecting element. My finest feedback is a filled dancefloor and a smile (sonrisa) on the faces of the dancers. That’s my drive.
Malin Backström from Stockholm, Sweden
Milonga del Jueves, Thursday 1.1.

”Music was my first love, and it will be my last”
These words, from my favourite song during the 1970’s – the powerful rock ballad “Music” with John Miles – became for many years of my youth a kind of life motto. I remember how passionate I felt about it, both the words and the song. And I think that this passionate relation to music is what has brought me, so many years later, first of all into tango, and now also into TDJ-ing.
Dancing tango since 2008, teaching it since 2011, playing it since 2018, I still feel like a baby TDJ. There is so much to learn about this complex, wonderful music & tradition! And so much to love. And the more I learn and discover, the more I love. I guess I am quite polyamorous in this 😊.
I have a growing faiblesse for the old “guardia vieja” music from the early 1930’s (Canaro, Firpo, Fresedo, OTV…), and I always like to start a milonga set with some of these beautiful, simple and grounding tandas. After that I mostly play tangos from the Golden age. On top I also like to add a few modern and/or alternative tandas, but usually then as vals and milonga.
Pål Bergman from Holmestrand, Norway
Milonga El Huracán, Sunday 4.1.

A joy to play among friends in Finland again! Eight years back I brought alternative milongas and milongas with vinyls to El Ático, at a time when no locals would dare to play evenings of non-tango, nuevo and neo-tango. (They put UFOs in the event pictures and stuff.) Fear not, it’s not an alien invasion, it’s a highly danceable set of epoca de oro -tunes, with a few juicy alternative tandas once in a while.
I aim to read the room and vibe with the atmosphere. I play mostly dear golden age favorites, such as Canaro, D’Arienzo and de Angelis for you to create yet new cozy memories to and a few tunes you didn’t knew would be added to your fresh favorites. Wow-what-is-tune-doing-to-my-feet kinda moment coming up.
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New Year's Eve Potluck Milonga

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